Wednesday 17 July 2013

Straight from the sun

Renewable energy will drive a new industrial revolution. That revolution is inevitable, elegant, and already here 

Just after the latest round of climate change talks (in Bonn this time) had sort-of stalled, I took a walk to New York’s North Cove Marina.

The southern tip of Manhattan narrows to a point at its southern end and juts out into the broad expanse of New York Harbour. The Marina is on the lower West Side, far enough down for the famous landmark of Ellis Island to be clearly visible. Just beyond is the Statue of Liberty; it was a mid-June Monday and the statue was bathed in the bluish haze of a warm humid late afternoon at the end of spring. A few lazy sailboats drifted in front of it. Further away, the high, bright-orange superstructure of a Staten Island ferry passed in front of the Verrazano Narrows bridge, itself a tiny latticework on the horizon, spanning the channel between Staten Island and Brooklyn, and guarding New York’s gateway to the sea.  Closer to the shore, the Circle Line sightseeing boat passed by, as did the odd ferry across the Hudson, carrying commuters home to New Jersey a mile or so away across the river.

The Planet Solar in New York (pic: M. Robbins)

The Marina itself is tucked into the steel-and-glass canyons of modern Manhattan; over it looms the new Freedom Tower that has sprung from the ruins of September 11 2001. That afternoon the MS Tûranor PlanetSolar had backed into her berth in the Marina after a long trip across the Atlantic to Florida and thence up the coast. The name Tûranor is taken from J.R.R. Tolkien;  it is Elvish for Power of the Sun. They are not joking. PlanetSolar is powered by an enormous solar array of about 5,600 square feet (519 sq m). Walking into the marina from the south, the 89-ton boat was instantly recognisable; she is actually a catamaran, with a totally flat superstructure bar a small blister for the bridge – the rest of her topside is solar cells. The brainchild of Swiss eco-entrepeneur Raphael Domjan, in 2010-2012 she became the first solar boat to circumnavigate the globe. On this occasion, she had not come so far – across the Atlantic from La Ciotat on France’s Mediterranean coast.  The trip had been accomplished solely on solar power; although she carries a back-up engine to recharge the batteries, she hadn’t needed it.

PlanetSolar had not come to New York just to prove a point. On board was a team from the University of Geneva, led by Martin Beniston, Professor of Climate Change at the University and also director of its newly-established Institute of Environmental Sciences. On the night the PlanetSolar arrived in Manhattan, the Swiss Consulate arranged a cheerful informal reception on board, and I found Professor Beniston unwinding with some excellent Swiss wines and cheeses.   Although Swiss, Professor Beniston was born in the UK and did his first degree at the University of East Anglia, where I did my own PhD  on climate change. The project, he explained, was to carry out research in the Gulf Stream into the mechanics of CO2 fluxes between the ocean and the atmosphere, and especially into the role of phytoplankton.  “Because it’s a pollution-free boat, it will be ideal for the collection and analysis of samples,” he told me. “They won’t be contaminated.”  

Later I climbed up to the bridge to greet the captain of the PlanetSolar,  Gérard d’Aboville.  The vessel had had a hard time docking that afternoon in the confined space of the marina, and he could have been in a foul mood, but he wasn’t, or if he was, he hid it well. But then, not much bothers a man who has rowed singlehandedly across both the Atlantic and the Pacific, sat in the European Parliament and done much else besides. (He also once competed in the Paris-Dakar with his four brothers, each one riding a Kawasaki 250; so maybe the whole family is slightly mad.) Then I stood with my companion in the hatch and admired the solar array, which glowed carmine and orange as the sun sank slowly towards the New Jersey shore, lighting the pink and grey clouds and setting the Hudson on fire.

II
The Solar Impulse is Swiss as well. It was designed in collaboration with the École Polytechnique Fédérale de Lausanne, which is also doing pioneering work on solar cells. It is not the world’s first solar plane; experimental designs have been flown of over 30 years. What is new about Solar Impulse is that it is the first manned aircraft that can store enough power when in the air in daylight to fly through the night. In theory, Solar Impulse it has an unlimited range. In practice it hasn’t; the pilot is the limiting factor, as the cockpit is extremely small and besides, the plane is not designed to fly through bad weather. Nonetheless it has remained aloft for over 24 hours at a stretch.

On July 6 2013 it arrived in New York after a transcontinental flight in the hands of its two Swiss pilots, André Borschberg, an entrepreneur and former fighter pilot, and distinguished balloonist Bertrand Piccard (the two men are co-leaders of the project, as well as alternating pilots). Its arrival was fraught. A stretch of fabric pulled away from the port wing, a fact unknown to pilot Borschberg until he was told by the crew of a following helicopter. Borschberg later described cheerfully how, on hearing of the tear in the wing, he had thought he might have to bail out into the Atlantic below and found himself thinking that that would at least be a new experience. A week after the plane’s arrival, and again courtesy of the Swiss Consulate, I filed into Hangar 19 at New York’s JFK airport to see the plane.

The Solar Impulse in Hangar 19 (pic: M.Robbins)

Hangar 19 has apparently played host to Concorde, Air Force One and the plane that brought the Pope to the USA; but it can have had few stranger and more wonderful visitors than it did on that July day. The roof of the hangar was in shadow, as was the foreground; the plane itself was 60 or 70 feet away and bathed in an eerie light. It is both tiny and vast. It is controlled from a small forward pod that contains the pilot, his oxygen (the plane flies above 30,000ft when required) and all immediate essentials; together, according to Piccard, these weigh about 500lb. The fuselage itself is longer – over 70ft (about 22 m) – but very slender; the wingspan, at around 208ft (about 63 m), is equal to that of an Airbus A340, and there was little clearance from the wingtips to Hangar 19’s edges. There are four motors, each in a nacelle that also contains the batteries. Two of the engines are mounted quite close inboard, but the outer ones are far out at the point where the wing bends upwards. This, and the predatory downward sweep of the cockpit, remind one of an enormous pterodactyl.

Both pilots were on hand to answer questions. Piccard was in ebullient mood. In addition to his own achievements, he is a grandson of Auguste Piccard, a Swiss scientist who worked in Brussels and was Hergé’s model for Professor Calculus (Professor Tournesol in French) in the Tintin books. More to the point, he was, like his grandson, a pioneer high-altitude balloonist; and was also the inventor of the bathyscape, which in 1961 dived to the bottom of the Mariana Trench with his son, Bertrand’s father, aboard. The family thus has the distinction of having held the records for both the highest ascent and the deepest descent.

Borschberg (left) and Piccard  (pic: M. Robbins)


Asked about Solar Impulse’s gliding characteristics and how they compared with a conventional aircraft, Bertrand Piccard  said they were exceptional; if anything went wrong, the air traffic controller would have time to “drive home, have a cup of tea and come back” to deal with the emergency. This perhaps makes light of the hazards of the enterprise. The plane cruises at just 30-60 MPH, meaning it must stay well out of the way of busy air routes. Moreover it weighs just 3,500 lb (1,600 kg), about the same as a car (in fact, that is pretty much the kerb weight of one typical European saloon, the Alfa Romeo 159). At the same time it has a huge, very light wing area, and Borschberg and Piccard admitted that the aircraft is difficult to land in crosswinds. Given that at least one full-size airliner has been destroyed by wind shear, both men must have had real courage and skill to fly this strange aeroplane across a continent. In fact, they intend to fly around the world in, they hope, 2015; the aircraft in which they plan to do this, the Solar Impulse 2, is already undergoing testing. 

III
The solar plane and the solar boat should make the Swiss proud. That day both Bertrand Piccard and the Swiss Consul-General in New York, François Barras, stressed the Swiss track record in innovation. (The country has earned the largest number of patents per capita of any on earth.) But are they practical technology? Piccard told the audience he didn’t foresee passengers flying the Atlantic in a solar plane, while Gérard d’Aboville has said that the Planet Solar, remarkable as it is, does not represent the future of boats. In a sense, they are surely right. The Solar Impulse has the wingspan of a jumbo jet but barely has room for its pilot and cruises at 40 MPH. The Planet Solar makes an average of 5-6 knots and the “works” leave little space for cargo.

In another sense, however, Planet Solar and Solar Impulse represents a future that is inevitable, elegant, and – to some extent – already here.

As a child, I had a number of Ladybirds, picture books for children that were then much loved. One was The Story of the Motor Car. This showed the progress of the car from the earliest experiments with steam. One colour plate that I have not forgotten is one of an 18th-century Frenchman with an infernal three-wheel machine with an enormous boiler overhanging its front. It is tipping over, and the Frenchman in question is flying through the air, his tricorn hat parted from his wig, his frock coat askew; a tongue of flame emerges from the boiler. Soldiers, on foot and on horseback, look on with evident concern.

The flying Frenchman was a military engineer, Nicolas-Joseph Cugnot, and the fiery trike was one of two attempts he made to build a steam-powered fardier (a fardier being a heavy horse-drawn cart for pulling field guns). Cugnot’s  fardier à vapeur is said to have been implicated in the world’s first road accident, destroying a wall of the Paris Arsenal.  This may be apocryphal; some sources say it never happened. Still, Cugnot’s fardiers à vapeur (he built two, in 1769 and 1770) were unstable and proceeded at only 2 mph; moreover they could manage only 10 minutes or so of motion before steam had to be raised again. Eventually the army lost patience and pensioned Cugnot off, along with the fardiers à vapeur. However, the 1770 machine survived. It can be seen in the Musée des Arts et Métiers in Paris, though not, one assumes, in action; if I were the museum, I wouldn’t mess with that thing.

Gérard d’Aboville: rowed the Pacific (pic: M. Robbins)

Meanwhile Nicéphore Niépce (who later invented photography) and his brother Claude were taking a different route. In 1807 they built a device called the Pyréolophore, which they mounted on a boat and tested on the River Saône. The device, which initially ran on moss spores but later on pulverised coal, bore little relation to a modern engine; rather, it sucked in water and blew it out in order to convert the pressure created by combustion into forward motion. Nonetheless it was an internal combustion engine, converting its fuel into motion directly rather than via steam, and the French Institute National de Science saw the point. In the Niépces’s machine, it declared, “no portion of heat is dispersed in advance; the moving force is an instantaneous result, and all the fuel effect is used to produce the dilatation that causes the moving force."

This must have been how François Isaac de Rivaz saw things, too. De Rivaz was born in Paris but was Swiss, of a family from the Valais, where he settled at quite a young age. After working with steam engines for some years in the Army, he built an internal combustion engine, and in the same year, 1807, he mounted it on a cart to create, in effect, the world’s first car. There is some argument as to whether this, rather than the Niépces’s Pyréolophore, was the first internal combustion engine. However that may be, de Rivaz’s machine had one strikingly modern feature: the force of the explosion was converted into movement by rotary motion through a piston. True, this was blown upwards by the explosion, and turned a ratchet as it fell back down – not a system used much at Ford or Toyota. Moreover the idea would take a long time to catch on. Nonetheless, the process of converting stored energy into rotary movement had been simplified, so that less was lost during the process. In effect, de Rivaz had built the world’s first internal combustion piston engine.

So why have we not moved forward since? 

IV
Not long ago Škoda launched a new version of its popular Octavia model. I was very impressed with an early version that I hired some years ago, so I took a look. The car is available with an arsenal of equipment, including satnav, a digital radio, driver fatigue warning, dual-zone climate control and a box on the dash with a wireless connection for your mobile phone. Electronic stability control is standard, and one can specify a collision warning and even a system to apply the brakes if a collision seems likely. All in all, the car disposes of far more computing power than did the Apollo lunar module. Yet at its heart (and that of almost all cars) is a reciprocating engine not much different in principle from de Rivaz’s, and certainly not from that of the Benz Motorwagen of 1885.

This will not do. Consider the number of moving surfaces in such a unit.  Each piston begins its cycle by sucking in fuel on a downward (intake) stroke, compressing it on the upward (compression) stroke, being driven down by combustion on the next stroke and then expelling the waste gases on its next upward travel (the exhaust stroke). With four such pistons, there are one hell of a lot of moving surfaces, especially given that only one cylinder of the four will be on the combustion stroke, and providing power, at any one time. Moreover, besides the major moving parts – the cylinders, the connecting rods from them to the crankshaft and the crankshaft itself – there are a mass of others; belts or chains from the crankshaft will drive the shafts that open and close the valves at the top of the cylinders, and will also turn the water pump that cools the engine and will drive the alternator that provides electrical power. Thus the one cylinder that is firing at any one time moves a large surface area that constantly changes direction, meaning that it must also accelerate and decelerate a great deal of mass as the pistons pass the tops and bottoms of their stroke.

In short, the modern car engine is an archaic, demented Heath Robinson device that flies in the face of physics, the sort of nightmare of moving parts an incompetent child might make with a Meccano set. Why do we still tolerate it in our digital world? Science fiction fans may remember a short story by John Wyndham, Chocky, in which the eponymous hero is an alien that communicates with a child; when the child explains that his father’s new car has gears, Chocky cannot hide his contempt.

There have been attempts to produce an internal combustion engine that is simpler and more effective. The most successful has perhaps been the Wankel engine, in which the piston did not go up and down but instead rotated, doing so concentrically so as to compress fuel and expel waste gases. Pioneered by NSU (now part of the Volkswagen group) in the 1960s, it powered the 1967 NSU Ro 80, a car of such elegance and modernity that it would not look out of place today. (Although Car Magazine described it as having “large, hard seats for large, soft Germans”.) But high fuel consumption killed it off, and the last car to use the Wankel engine (a Mazda) ceased production in 2012.

But another answer has been staring us in the face for over 100 years.  In 1899 the Belgian engineer Camille Jenatzy broke the world land speed record and also exceeded 100KPH for the first time, using a torpedo-shaped vehicle called the Jamais Contente. It too still exists and is on display at the Château de Compiègne not far from Paris, but I wouldn’t mess with the Jamais Contente either; it is rather tall, and the driver sat on top of it, making it look dangerously top-heavy.  Jenatzy will not have been scared. He went on to a distinguished motor-racing career at a time when the sport was horrifically dangerous. He told friends that he would die in a Mercedes, and oddly enough he did; to amuse guests on a hunting trip, he hid behind a bush and imitated a wild boar, whereupon his friends shot him. He died in the ambulance.

Camille Jenatzy and his wife celebrate
What intrigues about the Jamais Contente, however, is that it was electric. There is nothing new about electric cars at all. In the early days of motoring they were common, especially for town use. The relative lack of moving parts reduces friction, while the simplicity of their action mean that changes in velocity do not mean changes in multiple piston speeds. The Jamais Contente did not even have a transmission – even a simple transfer gear; the motor and wheels turned on the same shaft.  The limiting factor, so far, has been battery technology and inadequate range. Jenatzy himself seems to have abandoned the technology for that reason.


That is changing. Tesla Motors claims that its Model S will manage 300 miles at 55MPH. The range of an electric vehicle is highly variable depending on temperature and usage, but the US Environmental Protection Agency apparently does accept that the Model S car will do 208-265 miles, depending on battery pack. The Morris Minor I drove in my youth had a range of only about 260 miles. True, that was an era when there were many more fuel stations; but building charging stations for electric cars should be a simpler matter. In fact a recent article on the website of the Rocky Mountain Institute (Is the End of EV Range Anxiety in Sight?, June 20 2013) suggests a number of possibilities, including increases in the number of charging stations, mobile emergency chargers and a 500-mile vehicle through developments in lithium-air batteries.

V
Two thoughts about the story above. First, Cugnot’s fardier à vapeur didn’t cut it at the time. Had you told even Cugnot himself that, at its apogee, steam would move the world’s largest artificial objects, the 1930s liners Queen Mary and Queen Elizabeth, each weighing over 80,000 tons, at over 30MPH for days on end, he would have found it hard to envisage. The fardier à vapeur and the Jamais Contente were the future; they weren’t the present. A proof of concept rarely is.

The second thought is that steam never was the shortest route from A to B. Why use combustion of fuel to heat a separate substance to induce motion, when you can do so directly from the fuel itself? As the Institute National de Science realised, that was what the Niépce brothers had done. Meanwhile de Rivaz used the piston to convert that process into rotary motion.  But that was 200 years ago. It’s time to move on again. It’s the same process that led the replacement of the piston aero-engine by the turbine and then the jet, a profound simplification; and to the clean shapes of modern aircraft in place of the string-and-fabric birdcages that followed the Wright Brothers. In the late 1960s a motoring magazine persuaded the 80-year-old W.O. Bentley to give his thoughts on modern technology. It took him to Fairford to see the British prototype of Concorde, then under construction. “Now we’re back to the dug-out canoe,” he snorted. But perhaps that was the point. Good technology is ultimately a process of understanding how to use one’s environment, rather than confront it. To confront is a process of complication, of evasion; progress is simplification, cutting the distance between the source of energy and the outcome for which it is needed.

But there is a flaw in this argument. Electric cars are not fuel-less vehicles like the Planet Solar. They do not generate their own electricity. There have been experiments with solar vehicles, but they have yet to pass the proof-of-concept stage.  Far from converting fuel directly into motion, electric vehicles must take their charge from power stations that may generate it from fossil fuel. If the power were generated from renewables, of course, this objection would be overcome. 

VI
We are much nearer this than we think. I am writing this a week after the inauguration of the London Array, the world’s largest offshore wind farm, and a day after the UK approved an even bigger one off Lincolnshire (it’s to be called Triton Knoll). Renewables are growing, despite a recent hiccough in investment. Global Trends in Renewable Energy Investment 2013, by the United Nations Environment Programme and the Frankfurt School of Finance and Management, reports that in 2012 investment in renewables – by which they mean mainly, though not entirely, wind and solar – was 12% down on 2011. However, it was still the second-highest ever. Investment in developing countries was actually up.  Moreover, while part of the overall decline arose from policy uncertainty, it also reflected a drop in the cost of photovoltaics (PV) for solar power. “The... cost of generating a MWh [megawatt hour] of electricity from PV was around one third lower last year than the 2011 average,” states the report. “This took small-scale residential PV power, in particular, much closer to competitiveness.”

This prompts the attractive thought that a householder will soon generate all their electricity needs, including, maybe, those of the car. In fact, there are already dedicated solar charging stations for vehicles, although effective ones are still probably not economic for most homeowners. But household use of renewables, mainly solar panels, is spreading rapidly, along with solar and wind capacity designed to feed into the grid. The renewables website CleanTechnica recently claimed that three Landkreise, or districts, in Germany, Nordfriesland, Prignitz and Dithmarschen, were producing 260%, 261% and 281% respectively of their regional power mix from renewables – meaning, presumably, that they could provide 100% of their energy needs from them, and export the rest.

True, these are not large areas. They have a population of 80,000-165,000, and two of these states are on the North Sea coast of Schleswig-Holstein, giving them an unfair advantage in terms of wind power.  Moreover high subsidies for feed-in tariffs, by which householders or owners of wind turbines can sell what they generate back through the grid, have made electricity expensive for many German consumers, and there is also an increasing backlash against the environmental drawbacks of wind-turbine construction. Nonetheless Germany has done well with renewables, and CleanTechnica claims that a 100% renewables energy system is possible within a few decades. As the UNEP/Frankfurt School study implies, the right policy environment is needed for this. (California, for example, allows feed-in tariffs – but it doesn’t allow householders to install more capacity than they need, so that they can generate and sell a surplus.) However, according to a Deutsche Bank report quoted by Australian journalist Giles Parkinson on his excellent site, Renew Economy, the 2014 global solar market could jump to 45GW, after rising to 38-40GW in 2013.

This is all quite logical. Just as de Rivaz’s engines bought the power source right into the piston chamber, so renewable energy sources – especially solar – bring the sun’s energy direct to where it is needed. By contrast, the use of oil and gas requires the sun to shine on a plant, the plant to grow, the plant to die, the dead plant material to become buried, and for it to work its way deeper underground until it is crushed by the weight of the earth above. It is then necessary to wait 500 million-odd years before it is ready to burn. At that point, it must be brought back to the surface and transported to where it is needed, sometimes with pollution and loss of life. Examples include the BP explosion in the Gulf of Mexico in 2010, and – less discussed, but possibly worse – the environmental damage done for many years in the Niger Delta. This is not new. I am old enough to remember the disastrous 1967 oil spill after the shipwreck of the 120,000-ton oil tanker Torrey Canyon on the Seven Stones off south-west England. Many will also remember the 167 deaths in the explosion of the Piper Alpha gas platform in 1988. Just this week, it is reported that at least 35 people have died in a dreadful accident involving an oil train at Lac-Mégantic in Quebec. As for nuclear energy, it is scarcely a simpler process, and requires huge infrastructure projects with a limited working life. Moreover, while it has a better safety record, the accidents at Chernobyl and Fukushima have reminded us that it is potentially even more dangerous. Why on earth not just harvest the wind and the sun?

This may seem glib. It is not so simple, of course. Fossil fuels let us use the energy produced through photosynthesis at a far higher rate than it is produced. (But is that a good idea? We have unbalanced the global carbon cycle in the process.) And as the Germans are finding, for renewables you need to fix the grid first. Yet there is an inescapable logic to the direct use of energy, and as the Planet Solar and the Solar Impulse have shown, one day we may be able to use it more directly still.

That is why a move to renewables is inevitable. They will not come about through the international climate negotiations. I am not opposed to those, but I am sceptical. Visit the web page of the Solar Impulse and you will see the headline “Around the world in a solar airplane”. Visit the website of the secretariat of the UN climate-change treaty, the UNFCCC, and you will see a reference to “The thirty-eighth sessions of the Subsidiary Body for Implementation (SBI 38) and the Subsidiary Body for Scientific and Technological Advice (SBSTA 38), as well as the second part of the second session of the Ad Hoc Working Group on the Durban Platform for Enhanced Action (ADP 2-2).” Enough said. 

VII 
Neither will the move to renewables have anything to do with of some nice fuzzy feeling about being in harmony with nature. Technological progress, as I have argued, is a cold, hard  process of going from A to B first via L, M, N and P, then via D, E and F and finally by the direct route.

But I cannot forget what Piccard said about the Solar Impulse and its ability to glide. Many years ago, as a young man in England, I wanted to fly gliders. Every weekend I drove the 70-odd miles from my home in inner London to an abandoned bomber airfield, where I would spend the day pushing gliders on and off the runway. There was a lot of waiting around. The runway was vast; it had once sent 30-ton bombers to the Ruhr; the control tower still stood, with ragged pieces of paper pinned to a mouldy noticeboard, long unreadable. Like all such places, the airfield was haunted one moment and prosaic the next as the light changed and the wind dropped.

At the end of the day, if I was lucky, I would be strapped into the cockpit of a wooden 1950s dual-control glider and launched a thousand feet into the air behind a decrepit 12-cylinder Jaguar car, rescued from the scrapheap at Milton, a few miles away.  If I was really lucky the instructor would catch a thermal, and kick the rudder hard, searching for an elusive pocket of warm air that would carry us upward so that we would be suspended for a minute or two between the low, hazy grey-and-white clouds and the soft green Oxfordshire countryside below. One day I was standing on the grass with nothing special to do when an ancient glider passed a hundred feet or so above my head, and seemed to drift through the air so slowly that it was almost stationary. As it came close I heard a thrumming, singing sound from its rigging, really quite loud, an enormous Aeolian harp.

As we left Hangar 19 at JFK last weekend, I turned for a last look at the strange aircraft behind me, and just for a moment I did think of a world where there would be no polluted Niger delta, no terrible Piper Alpha or Lac-Mégantic, no Fukushima; just solar boats that move quietly through clean water and, far above, a magic aeroplane that stays aloft forever, soaring and wheeling with kestrels and kites.




Follow Mike Robbins on Twitter (mikerobbins19), on Facebook or on Goodreads



Follow the links for more information about the Planet Solar and the Solar Impulse
To stay up-to-date on renewables, follow  Giles Parkinson and Zachary Shahan’s informative sites RenewEconomy and CleanTechnica
 Thanks to Sandrine, Neil and Andy
The author warmly acknowledges the hospitality of the Consulate General of Switzerland in New York Follow their Facebook page here

Hudson, sunset, and solar array (pic: M. Robbins)
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Thursday 13 June 2013

To Pagford, from Bradford

J.K. Rowling’s first post-Potter, The Casual Vacancy, has divided the critics; but what matters is what it tells us about ourselves. Two novels shine a light on Britain in 2013 – and in 1913
 
First there was the hype.

The Guardian’s correspondent was  “required to sign more legal documents than [when] buying a house”  before reading  The Casual Vacancy;  as for the author interview: “Its prospect begins to assume the mystique of an audience with Her Majesty – except, of course, that Rowling is famously much, much richer.”  She is in fact worth about £620m, according to Sky News. Then the book came out. In its first week, it sold 124,000 copies in the UK and three times that in the USA. To put that in perspective, the initial print run for a novel is rarely more than 3,000-5,000 copies.

Those 500,000-odd buyers were confronted with a picture of modern England that many English people  could have done without. The Casual Vacancy is a portrait of Pagford, a small town in the West of England, said to be based on the one in which Ms Rowling grew up, although she has never confirmed this. It begins with a death (as does the other book discussed in this piece; but more of that later). In this case, it’s the death of a likeable local councillor who has opposed attempts to shut down the town’s methadone clinic and to rid the town of responsibility of the local sink estate – “project”, in American parlance – called the Fields. The election that follows for the dead man’s council seat is the frame upon which Rowling has hung her portrait of the town’s people. 

They fall into three basic categories: smug, ineffectual, and disgusting.

The smug include the “first citizen” of Pagford, Council chairman Howard, a shop and cafe owner, 65 years old, of mighty girth and opinions; and his wife Shirley. Like others in the town, they hanker after the company of the local posh family, although the latter are clearly bored by them, and indeed sold the land for the sink estate Howard wants to be rid of so much. The smug also include Howard’s son Miles, a solicitor (lawyer), who stands for the dead man’s council seat, and his wife Samantha, who has huge breasts and fantasizes about sex with a singer from her daughter’s favourite boy-band.  And there’s Parminder, the doctor, who holds liberal views but makes no effort to communicate with her unattractive daughter and is unaware that the latter is quietly mutilating herself with a razor-blade in the night.

The ineffectual include Kay, a social worker who is deluding herself about her relationship with Miles’s weedy younger partner; Colin, a deputy headmaster who lacks social skills and is mentally ill; and Ruth, a nurse who tries to be bright and jolly in a home dominated by a violent inadequate of a husband. The disgusting, besides her husband, include Colin’s vile teenage son, who despises his parents and uses his wit and popularity to inflict cruelties on others; Simon, Ruth’s husband, who stands for the council hoping to get kickbacks; and Terri, a middle-aged junkie and occasional whore who lives on the sink estate but whose daughter Krystal could maybe be something better. Rowling uses Krystal as a dramatic cipher in a battle between good and evil.

Rowling serves up many characters – in fact, too many too quickly, so that the first half of the book is confusing. Yet she has taken trouble to try to get inside their heads and to show us who they really are. Thus Howard dreams of the Pagford of his youth, where the poor grew runner beans and potatoes, and hates the Fields with its boarded-up windows, graffiti and satellite dishes. Miles and Samantha must entertain Kay and her reluctant partner to dinner and try to impress, though they have little in common with either; the evening that follows is pure agony, Abigail’s Party writ large. Parminder does not communicate with her daughter but half-knows it, and keeps meaning to try. Kay’s reluctant partner does know that, somewhere along the line, he should have ended the relationship. Colin’s horrible teenage son is determined to be “authentic” and does not know that he is pretentious. Neither does he really know that he is vicious; in class, he mutters savage insults at Parminder’s miserable daughter, wanting to impress the friend next to him. He is unaware that his friend finds the girl’s pain discomfiting.

Not every character works so well. Colin’s mental illness does not convince; it is so dramatic that one does not see how he functions at all. The crooked, violent Simon is just too without redeeming features; besides, he does not have the brains to have got away with it for so long. As for Terri, the tragic junkie:

The door swung open to reveal a woman who appeared simultaneously childlike and ancient, dressed in a dirty pale-blue T-shirt and a pair of men’s pajama bottoms. ...Her hair, which was home-dyed, coarse and very red, looked like a wig on top of a skull ...The house smelled of stale food, of sweat, of unshifted filth.

Terri is a type that exists, to be sure; but seems too obvious to be here. She might have seemed more real, and sympathetic, had she been one of those who do manage their addiction better.

The book ends with a tragedy that a number of the characters might have prevented, either earlier in the book, or – in several cases – in the hour or so before it happened. Several people get their comeuppance, for this or other reasons. In fact, the book is, for all its satirical modernity, a very old-fashioned morality play that, with a slight change of characters and messages, could have come from someone on the right as much as the left.

That’s a point that clearly went over the head of the Daily Mail’s reviewer, who called it “500 pages of relentless socialist manifesto masquerading as literature”.  The council chairman, Howard, is “middle class, so, of course, he is a racist, pompous twit”. Ms Rowling is, says the reviewer, “on a mission to portray the poor underclasses as plucky but blighted, and the British middle classes as a lumpen mass of the mad and the bad.”  The Mail had an agenda; it usually has. Actually, Rowling could just as easily have been slammed for failing to include normal balanced working-class characters rather than the awful Terri. But the charge is not totally unfounded. Even the progressive Independent said: “The snobbishness and hypocrisy of the Pagford residents is held up for mild satire throughout, while the deprivation of the Fields is played with a straight bat, and that unevenness of tone rankles.”

Other reviews were far more generous (Time, The Wall Street Journal, The Scotsman and The Economist all gave the book a warm welcome).  Yet there was food for thought in one of the hostile reviews, by Michiko Kakutani in The New York Times:

Instead of an appreciation for the courage, perseverance, loyalty and sense of duty that people are capable of, we are left with a dismaying sense of human weakness, selfishness and gossipy stupidity. ...[and] a numbing understanding of the difficulty of turning a dozen or so people’s tales into a story with genuine emotional resonance.

The New York Times isn’t a paper that would have any particular axe to grind against Rowling, or on behalf of the British right; moreover Kakutani had reviewed at least one Harry Potter book very favourably. Other major papers that gave Rowling a good kicking included he Toronto Globe and Mail (“a mishmash of cardboard characters... stereotypical conflicts between the disadvantaged and their smug, upwardly mobile neighbours.”)

None of this is entirely fair. So Rowling has some prejudices; well, she is scarcely alone in that. She could have shut up and enjoyed her considerable wealth. Or she could have trotted out any old trash, knowing that, with her name on it, it would at least sell a few copies. She could, like many British novelists of the last half-century, have written genteel novels about middle-class marital difficulties. Or books about food for people who already spend too much time cooking; or she could have restored a farmhouse in some fashionably unfashionable part of France or Spain and then written an amusing book patronising the local peasants. Instead, she is, as one says nowadays, “engaged”; she has painted a vivid, well-written warts-and-all portrait of modern Britain. To be sure, she has majored on the warts; but, well, there are a few, aren’t there? Some of the characters, it’s true, don’t come off – but others do, and the book is a genuine page-turner. The Casual Vacancy is a flawed but courageous attempt to write about the way we English are in 2013.

If it does not quite work, is it because the characters are cynically drawn to order, as some of these reviews implied? Or Is it, as Kakutani implied, because the novel’s view of humans is so cruel? If so, is that Rowling’s fault – or could it be because the modern Brit is not much to write about? 

Actually the answer to this might be messier than the reviewers would have you believe.


II

After finishing The Casual Vacancy, I wanted to return to a book that I had read before, and have long loved. Whereas The Casual Vacancy is a caustic view of England in 2013, J. B. Priestley’s Bright Day is a thoughtful portrait of 1913, recalled 30 years later by a man in middle age.  Although now rediscovered and republished, the book, like many of Priestley’s,  was forgotten for years; and I should not have known of it had I not found an ancient copy some 20 years ago in a secondhand bookshop in the Middle East, and bought it purely because I had little to read.

The book opens in an expensive but bleak cliff-top hotel in Cornwall. It is the spring of 1946 and a successful but jaded middle-aged screenwriter, Gregory Dawson, has been sent there by a producer to finish an urgent script. Dawson is English, but spent many years in Hollywood, then returned at the start of the Second World War. At the hotel, he works; there is not much else to do; the weather is mixed, the (rationed) food mean and dull, the other guests old, wealthy and sclerotic. However, one older couple catch his eye. Discreet enquiry tells him they are a wealthy and titled couple, Lord and Lady Harndean; the husband, a businessman, received a lordship for services rendered to the prewar Chamberlain government. Dawson is sure they have met, yet he cannot place them.  Then a day or two later the band in the lounge play a Schubert trio that jogs his memory, and he remembers who they are.

Dawson is back in in 1912. His father, who is  in the Indian Civil Service, and his mother both die suddenly of a fever in India just as he, an only child of 17 or so at school in England, is preparing to take his entrance examination for Cambridge. Too shocked to sit the exam, he finishes the school year and is then taken in by an aunt and uncle in Bruddersford (a thinly disguised Bradford); and instead of attending Oxford or Cambridge, as befits the son of an ICS officer, he finds himself working for – in effect, apprenticed to – a wool merchant in a Northern city.

This does not trouble him, for the sudden loss of his parents has rendered everything meaningless.In any case, he already knows that he wants to write. He reads widely, especially poetry; and in Bruddersford he discovers some of the magic of being young as well as its oppression.

At the time when verse becomes magical to us, there is also another sorcery, created by glimpses, brief and tantalizing, of people we do not know... Later in life we merely see interesting strangers ...the mystery, the magic, the sense and promise of unexplored bright worlds, no longer haunts us.

On the tram he often notices a group, probably a family, with lively intriguing young people, that fascinates him. And then he starts work, and finds that Alington, the local head of the wool merchant for which he is working, is the father of that family. Bit by bit he comes to meet them all, including the three attractive daughters; and there is an air of adolescent magic discovery. In the winter and spring of 1912-1913 the young Dawson accompanies this magical family to the pantomime, to classical concerts, and finally out to the high moors beyond the city limits, where long days are spent in bright sunshine.

It is after one such day on the high, bright Pennine moors that the Alington family, with Dawson, return to Bruddersford on a May evening in 1913, and decide to have some music. Three of them are playing the Schubert trio when a youngish couple enter unannounced: “And then there were two strangers standing in the doorway, among the splinters of the Schubert.”  

They are the Nixeys. Malcolm Nixey has been sent by the London office, ostensibly to learn the business, but actually to force Alington out. His wife, meanwhile, will stray, and in so doing will wreck the life of one of Alington’s daughters. Together they will destroy the family, and, indirectly, they will cause a terrible death. Just over a year later Dawson will leave for the Western Front, leaving the Alingtons among the splinters of their lives.

Dawson never returns to Bruddersford. But when on a cold spring day in 1946 he hears the Schubert and sees Lord and Lady Harndean at the same time, he knows that they were, before ennobling, the Nixeys. Over the next few days he tries to recall, for the first time in years, his life in the last two years before the first war, and in so doing, tries to make sense of the life he has led since. The story switches between 1946 and 1912-1914 as memory leads Dawson to change his life, absorbing hard but decent lessons from a past that he had thought he had understood.

The Casual Vacancy, set in 2013, is well-paced, well-constructed and has flashes of real insight. Yet it is oddly unsatisfying. Bright Day, set in 1913, is one of the best novels in the English language. What separates them?

To some extent, it is the partisan approach noted by the Mail, but also a little by the Independent. In 1940 George Orwell, in his essay Inside the Whale, praised Henry Miller’s Tropic of Cancer precisely because it was completely amoral and therefore flowed completely from experience. Books with an agenda, Orwell contended, did not communicate with the reader; those that did, were by authors who were overwhelmed by experience, for we could better identify with their feelings. To support his argument he compared the literature of the First World War with that of the Spanish war just ended:

The immediately striking thing about the Spanish war books, at any rate those written in English, is their shocking dullness and badness. ...[They are] by cocksure partisans telling you what to think, whereas the books about the Great War were written by common soldiers or junior officers who did not even pretend to understand what the whole thing was about. Books like All Quiet on the Western Front,  Le Feu, A Farewell to Arms... were written not by propagandists but by victims. They are saying in effect, “What the hell is all this about? God knows. All we can do is to endure.”

Rowling has an agenda; the characters must fit the role she has determined for them and now and then (though, to be sure, not always), they can feel like puppets, the strings pulled in pursuit of an argument. Priestley, by contrast, in this book (although not in some others), simply expresses the force of the past and the challenge of the future as he feels them.  Orwell, in Inside the Whale, actually goes so far as to use the word “marionette” of the everyday literature to which he feels Miller is superior. This is part of the problem with The Casual Vacancy.

But Rowling faces a challenge. I suggested earlier that the fault could also lie with us – that we are, in effect, now a sorry lot to write about.  How did we get this way?


III

In Bright Day,Dawson’s friend Jock has a very strange sister, who communicates with the dead and perceives other worlds – not unusual 100 years ago, although spiritualism really peaked a few later, after the losses of the First World War. One night Dawson dines with them; her otherworldliness irritates and unsettles him; but she remarks, in her vague way, that: “It’s all... quite different ... from what you imagine ... Like the dead and the living ... some people you think are alive are really dead ... and others you think are dead are really alive. ...”

Encoountering the Nixeys, now the Harndeans, 32 years later, Dawson is struck that they had “always lacked something essential and vital”; in essence, they are in some way not quite alive. They had succeeded, he says, in “everything they had attempted, [but] it was only in Flatland, among triumphs cut out of the thinnest cardboard.” This is driven home, in different ways, at several points in the book. A night out with Nixey in prewar Bradford (well, all right, Bruddersford) is notable for the lack of enjoyment, or otherwise, that Nixey derives from it. In his bleak cliff-top hotel in the wake of another war, Dawson reflects that there are now far more “rootless, parasitic and acquisitive people about”; and that “what had once been a tiny fifth column was now a settled and familiar army of occupation.”

Is that it? Did the Nixeys take over, leaving poor Ms Rowling with no-one real to write about? Priestley might have understood that argument. As Dawson, he bitterly describes a night at the music hall in 1919, “chorus girls swarming over gangways into the auditorium, and half-tight fat profiteers in the stalls waving rattles. ...This ...greedy rabble didn’t seem worth the life of one stammering lance-corporal. We’d thrown away the best, only to keep and to fatten the worst.” That is, in part, what happened to us; and people like my parents' generation, born in 1920 and 1922, would have found it credible enough, for there persisted into my own lifetime a feeling that the best young men had gone to Flanders and that what was left was not quite the same. In 1914 the best were full of passionate intensity, and were butchered for their pains; the rest remained to infest Pagford a century or so later, and there is not much that Rowling can do for them.  

But there is something else here, and again Priestley has seen it; Nixey has no trade. Quite late in the book, when it is clear that he will destroy Alington, the hard, kind Yorkshireman to whom Dawson has been apprenticed resigns in disgust. As he prepares to go, he tells Dawson:

If a chap learns a trade he won’t do so much ‘arm.  ...A chap who learns a trade ...comes to ‘ave respect for the stuff he ‘andles and wants to do the best for his customers. But these smart chaps who know nowt... only thing they’ve a respect for is money.

Is that us too? As I come to the end of my own working life, I find myself surrounded by people with vaguely-defined professions, management consultants and the like – people who do not make anything, but are often unleashed upon those who do in the name of efficiency or lean production. The people of Pagford, too, seem short of skills. True, two are solicitors, and one is a doctor – and one works for a printer, though we are not told in what capacity. One is a nurse. For the rest, nobody really makes anything; there are no welders, no master builders, no draughtsmen or dressmakers, no pride. Who are they? Who are we?  One is reminded of a Khalil Gibran poem, the title of which, Pity the Nation, was borrowed by Robert Fisk for his magisterial account of the Lebanese civil war:

Pity the nation that wears a cloth it does not weave,
eats a bread it does not harvest,
and drinks a wine that flows not from its own wine-press.


IV 

This, then, is part of Rowling’s challenge; we are less to write about than we were in Priestley’s time. Yet even this does not explain why Bright Day is such a good book.

Bright Day is a novel of remembrance and the richer for it. It must be partly autobiographical; Priestley, who was from Bradford, went to work for a wool merchant at 16, and left aged 20 to fight in the First World War – an experience that marked him, as it did the fictional Dawson.  Priestley too never moved back to Bradford (though, unlike Dawson, he never cut his links with the city). Although more a novelist and playwright than a screenwriter, he did have contacts in Hollywood and visited the US a number of times in the 1930s, spending many months there. However, he spent the Second World War in Britain, and was very active in the media and in public life. He was more or less the same age as his Gregory Dawson and the book was published in the year it was set, 1946.

Priestley wrote several books about parts of his life, but never wrote a proper autobiography. The closest he got was Margin Released (1962), a series of three autobiographical sketches, each of 100 pages or so. The first concerns his time as a very young man at the wool merchant’s in the years just before the First World War, and there is a clear sense of a time when the world was new. Bright Day itself drips with the remembrance of things past;  seen from the bleakness of 1946, Christmas 1912 is “a vast Flemish still-life of turkeys, geese, hams, puddings, candied fruit, dark purple bottles, figs, dates, chocolates, holly... It was Cockaigne and ...there has been nothing like it since and perhaps there never will be anything like it again.” A concert in the city’s main hall, Dawson’s first and thrilling night out with the glamorous Alingtons, is lit by gaslight, so the hall is steeped in a golden October-like light. A bright spring day on the moorlands begins “in an almost empty little train, chuff-chuffing towards the Dales through the vacant and golden Sunday morning. (There don’t seem to be any trains like that any more... All transport now seems to be fuss, crowds, rain and anger.)”

This is the key to Bright Day: remembrance. It is not mere nostalgia; there is no weird yearning for a country that never existed. In 1914 Britain and Europe were heaving with social unrest. It was a tense world with rotten underpinnings, brought wonderfully to life by the late Barbara Tuchman, herself born in 1912, in The Proud Tower; and recently by Michael Portillo in the radio series 1913: The Year Before. There was no Cockaigne. Priestley was not so daft as not to realise this. He was on the Left, and was a fierce social critic, most notably in his 1934 travelogue English Journey. At about the same time, in a satirical novel about the Press, Wonder Hero, he hinted he had no great love of Empire either. His work was rarely divorced from reality, and his politics were such that he was fingered as a fellow-traveller in Orwell’s notorious 1949 list for the Attlee Government’s Information Research Department. In any case, Bright Day is not a paean to some prelapsarian Edwardian heaven stolen from us by the Great War. Rather, it is a very personal journey back through that time of one’s life when everything glittered with the unexplained and undiscovered.

Priestley died in 1984, when Rowling was at university. By that time he was not as widely read as he had been. He was not a perfect writer; as a technician, he was inferior to many of his contemporaries, including Orwell, Evelyn Waugh, or Graham Greene. Priestley could be pompous and wordy.  He could certainly write for the gallery and could, if he wished, serve up more ham than a wholesale butcher.

But Bright Day is out of the ordinary. I wanted to write about it because I thought it told us how we got, God help us, to Pagford. But the real gift of this book is that it is deeply personal, a far-off place of bellowing Yorkshiremen and enormous lamb chops and cricket and bright sunlit moorlands, tinged by the magic of youth and remembered by a tired man in a pinched bleak world. It is not really Rowling’s fault, yet somehow we see Pagford in 2013 in a snapshot from Google Earth; Flatland, seen from above. Bradford in 1913 is remembered in relief, at length, from a seat on a high fell as the bright day turns into late afternoon and then to dusk, the shadows climbing slowly towards us across the fields and the bracken and the dry-stone walls.




J. K. Rowling's The Casual Vacancy is published by Little, Brown and is now available in paperback and for e-reader (Kindle and Nook). J. B. Priestley's Bright Day has been republished in a new edition by Great Northern Books in the UK, and is also available for Kindle.

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Mike Robbins’s latest book, Three Seasons: Three Stories of England in the Eighties, is available as an e-book or paperback from Amazon, Barnes & Noble, Scribd and other online retailers, and can also be ordered from your local bookshop. Requests for review copies should be sent to thirdrailbooks (at) gmail.com, or to the author.